The Violet Vault
Unlock Prince’s legacy through The Violet Vault- hosted by Ava Cyr, a long-time gen z Prince fan. Each week we’ll dive deep into Prince’s various eras from his early days in Minneapolis to global stardom, with special guest interviews sprinkled in. We’ll explore different sides of Prince, what inspired his music, aesthetics, and the man behind the purple. Make sure to subscribe and follow The Violet Vault on Instagram and Facebook to keep up with new episodes and bonus stories.
The Violet Vault
Ladies and Gentlemen, The Revolution!
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In this episode of The Violet Vault, Ava Cyr explores Prince’s Purple Rain era, tracing how his success with 1999 became the launchpad for a groundbreaking, genre-blending masterpiece. Released in 1984, Purple Rain marked a shift toward a fuller, more collaborative sound with The Revolution, even incorporating live recordings from Minneapolis’s First Avenue. Ava unpacks the mythology behind the title track—from its spiritual, apocalyptic meaning to its surprising origins as a country-inspired piece—and highlights defining moments like the bass-less innovation of “When Doves Cry” and the sermon-like energy of “Let’s Go Crazy.” The episode also dives into controversy surrounding “Darling Nikki,” including its hidden backmasked message (“Hello, how are you? I’m fine ‘cause I know that the Lord is coming soon”) and its role in inspiring the Parental Advisory label. With staggering commercial success, major awards, and a massive tour, Purple Rain cemented Prince’s legacy as a visionary who fused rock, R&B, pop, and orchestral elements into a deeply emotional and cultural phenomenon—before quickly moving on to his next creative chapter.
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The first time Ava Steer heard Prince was the day he passed. At 12 years old, she sat in her room listening to Purple Rain, and something in her changed. Now, years later, that moment lives on through the Violet Vault. A podcast exploring Prince's legacy, his music, and the world he created. Join Ava Steer as she opens the vault. One story, one era, one purple mystery at a time.
SPEAKER_00Hello and welcome back to the Violet Vault. I'm your host, Ava Steer, and this is technically episode five of Alpha Culture. I know in Apple Podcasts it gets a little confusing because they count the trailer as an episode, but this is technically our fifth full-length episode. So last episode we left off with Prince stepping into his first real wave of commercial success with his fourth studio album, 1999. But again, if you know anything about Prince, you know success was never the finish line. It was just the launch pad. And Prince wasn't really interested in repeating himself. He wanted to expand sonically, visually, and spiritually. And like many of his albums, the seeds were being planted way before they were actually coming to fruition. Some songs in Purple Rain were already tucked away, and then they were brought back, reshaped, and reimagined. And Prince's creative process wasn't linear. It was more like a constant evolving universe. And with that, today we'll be talking about Princess's Magnum Opus Purple Rain. And we'll also be throwing in a little segment about Darling Nicki, but this time I'm gonna go more so into the hidden message in Darling Nicky, as well as a fun little fact about it. So let's get into it. Released in 1984, Purple Rain wasn't just an album, it was a cultural event. It was tied to a film, which we'll get to in a later episode. And it was also powered by a full band and driven by Prince's growing desire to merge performance, storytelling, and music into one cohesive experience. And for the first time, Prince really credited his band on the album, The Revolution. And this is important because while Prince was still very much the architect of Purple Rain, it feels different. It feels a bit more fuller and collaborative, and to me it feels a bit more alive compared to his earlier albums. And you can hear it in the arrangements. The album emphasizes full band performances in a way that his early work didn't. And there's space, there's interplay, and there's definitely chemistry. And in some cases, there's literal live energy. Because the final three tracks, you know, I Would Die For You, Baby I'm a Star, and the title track Purple Rain were actually recorded live at First Avenue in Minneapolis on August 3rd, 1983. Now they're not raw recordings on the album. There was overdubs and edits made later on, but the core performance is still there. And it's really cool because you can find footage online of Prince playing these and you'll instantly recognize the songs. But it's interesting because Purple Rain is actually a lot longer when he originally first live recorded it, but it was shortened to put on the album, and it's still a whopping over nine minutes, so it's a it's a heavy rock ballad. So let's kind of talk about the song that changed everything, Purple Rain. The meaning of the song is one of those things that fans have debated for decades. But Prince himself actually offered an explanation. He says, When there's blood in the sky, red and blue equals purple. Purple pertains to the end of the world and being with the one you love and letting your faith guide you through. So it's apocalyptic and kind of going back to that theme again that he had in his previous album, but it's also intimate. It's spiritual and grounded in human connection. And these are all themes that Prince will continue to explore throughout his musical career. And here's something wild. Originally, Purple Rain was actually written as a country track. And Prince even sent a 10-minute instrumental version to Stevie Nicks, and he asked her to write the lyrics, and she actually later admitted she felt overwhelmed and turned it down, saying it felt too much for me. I can't, I mean, I think that's so cool. I mean, imagine a version of Stevie Nicks singing Purple Rain, or her own version of it, and as a country song. So it really shows that Prince was trying to dip into every genre. However, the song changed when a rehearsal with The Revolution, specifically Wendy Melvoyne, started playing new guitar chords. And that song kind of transformed. And the band leaned in, they pushed it, they played it for six hours straight. And by the end of the session, Purple Rain, as we know it, was born. Okay, so now we're gonna shift to something a little bit more controversial. Darling Nikki. On the surface, it's one of Prince's most provocative tracks. It's lyrically explicit, unapologetic, and it pushes boundaries in a way that made people uncomfortable. But hidden within the song is something even stranger, a hidden message. And if you play the part of the track in reverse, it's towards the end of the song, you'll kind of hear like this distorted, almost eerie voice. And that wasn't just a random experiment, it was actually intentional. Prince was playing with perception, with morality, and the idea of a hidden meeting. And I think that that's something really interesting that Prince would play with. And he plays a little bit with it in Baby I'm a Star as well, but that one's a bit harder to discern what that is when you play it backwards. But here's kind of another little fun fact about Darling Nicky. So Darling Nikki actually sparked outrage, particularly among parents and political figures. One of the most notable reactions came from Tippercore, who cited the song as an example of inappropriate content in popular music after hearing her young daughter listening to the track. That outrage led to something that still exists today, the parental advisory label. So that's the little black and white sticker on albums that kind of honestly ruins the album cover, in my opinion. You can trace it directly back to Prince and him pushing boundaries on Purple Rain. Okay, so now we're gonna shift into talking numbers for a second because they're quite staggering. Purple Rain wasn't just critically acclaimed, it was a commercial powerhouse. It stayed at number one on the Billboard 200 for 24 weeks from August 1984 to January 1985. It spent a total of 167 weeks on the chart. It held a spot on the top 10 for 32 weeks. It sold over 25 million copies worldwide, and in its first weekend alone, it moved over 1.3 million copies. That's not just to success, that's domination of the charts. And awards that followed as well. Two Grammy Awards, three American Music Awards, two Brit Wards, an Academy Award for Best Original Song Score. Prince didn't just make an album, he made history. This album put him on the map and it made him synonymous with the color purple, and it basically shot him into Global Stardom. So now we're gonna break down one of the key tracks on the album, When Doves Cry. This was the lead single, and Prince saved it for last. He wrote and composed it after the rest of the album was finished. And here's the genius move. There's no bass line in When Doves Cry. So I encourage you to go listen again and really listen closely, and you can hear that there is in fact no bass line to the song. And in the 1980s, that was almost unheard of. Pop music thrived on bass, but Prince dripped it away, leaving something stark, haunting, and completely unique. He actually did record a bass line, but it was removed after deciding it made the song feel a little bit too conventional. And I would hope that someday maybe they'll re-release it if it's still sitting in the vault, but that risk certainly paid off. When Dove's Cry became Prince's first number one hit on the Billboard Hot 100, and it stayed there for five weeks and ultimately became a number one song of 1984. Okay, so the next track we're going to talk about is Let's Go Crazy. This track isn't just a party anthem. It's actually layered with spiritual undertones. And the famous dearly beloved intro feels almost like a sermon. And lyrically, the song can be interpreted as a call to resist the elevator, the de-elevator, acting as a metaphor for the devil. And it became Prince's second number one hit, proving he wasn't just a one-hit wonder. And then there's Take Me With You, which is one of my favorites on the album actually. And this one's special for a different reason because it marks the first time Prince ever recorded a duet with a female vocalist, Apollonia Cotero. And we'll kind of get more into Apollonia when we get into the film because she's a bit more prominent in the film. And it's more of a lighter, more playful song. It adds a different texture to the album. And again, it also ties directly into the film and it reinforces that multimedia vision Prince was building. And of course, we cannot forget I Would Die For You. It's a top 10 hit, but it was also one of Prince's most spiritually charged songs. It blurs the line between human love and divine sacrifice, something Prince would continue exploring throughout his career. And one more song I want to mention is The Beautiful Ones. My most favorite Prince song of all time. It has been debated whether or not the song is about Vanity, Prince's ex-partner. Um, but if I have to be honest, I think that song it shows so much raw emotion in Prince. And especially if you've seen the film and watched the performance, it very much conveys the song very well. So I encourage anybody who has not listened to it to go take a listen. So now let's zoom out and we're gonna talk about the tour. So it kicked off in November 1984 in Detroit and ran for about five months, spanning 98 shows and selling 1.7 million tickets. The lineup included Prince and the Revolution, Apollonia 6, which was the replacement for Vanity Six, and we'll kind of get into more of this when we get into the film. Um, and then Sheely E and her band. And the show opened with let's go crazy, setting the tone immediately. And the performances, they were very theatrical, elaborate, and groundbreaking. And Rolling Stone would later describe the tour as one of Prince's most ambitious live productions. And the final show actually took place in Miami and Miami's Orange Bowl in front of 55,000 people. And at the end, Prince said, I have to go now, and I don't know when I'll be back, and I want you all to know that God loves you, He loves us all. And actually, two weeks later, he released a completely different album. And just like that, the Purple Rain era was over. Because that's who Prince was. He didn't linger and he didn't stay on where he already conquered. He moved on, and he was constantly creating all the time and all these different ideas and different visions, and by the end of it, he just kind of got tired of Purple Rain. And I think that's also an interesting detail about the tour. It was originally planned to go overseas, but by the time they reached Syracuse, Prince kind of already mentally shifted to his next project. That's why they actually planned to live cast the Syracuse show, which I think is really cool. You can still find that footage. The estate released released it on DVD, and they also have the deluxe live album of that show. But that's kind of the paradox of Prince. While the world was just catching up to Purple Rain, he was already somewhere else creatively. So what makes Purple Rain the Magnum opus? It's not just the hits, it's not just the sales, and it's not just the awards. It's the fusion. Rock, RB, pop, and orchestral elements are all living in the same space. And the film and an album feeding into each other, studio precision mixed with live energy performance. And it's all prints at the exact moment where vision, talent, timing, and risk all collided. And maybe most importantly, it's Prince letting people in just enough. Behind the mystique, behind the theatrics. There's vulnerability in Purple Rain, longing, faith, and conflict. It's not just an album you hear, it's an album you feel. And I'm gonna kind of get into a little recap of what we learned today and what we went over. So Darling Nicky obviously has the hidden message: hello, how are you? I'm fine, because I know the Lord is coming. We also talked about the parental advisory sticker created that was due to Darling Nicki because Tipper Gore heard her daughter hearing the track and thought this is too inappropriate for young kids to be listening to. And we also talked about how there was no bass line in One Dove's Cry. And again, I encourage you to go listen to One Dove's Cry and listen closely. And we also talked about how Purple Rain, the album, blended so many different genres: rock, RB, pop, and orchestra elements. In the coming episodes, we'll be going to start incorporating interviews from those who experienced Prince in real life and diving into Prince's silver screen debut with the 1984 film Purple Rain. That's all I have for you today, and be sure to follow our Instagram page and Facebook page to stay up to date on new episodes and content. Thank you again for joining me on the Violet Vault. I'm your host, Ava Seer. Peace and be pilot.
SPEAKER_01The Violet Vault is hosted by Ava Seer. Celebrating the style of spirit. Subscribe wherever you find your podcasts. And follow the Violet Vault on Instagram and Facebook for new episodes in the Bonus Door.